All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Venus Mars and Cupid oil on canvas


Venus Mars and Cupid
Venus Mars and Cupid
Painting ID::  88764
  Oil on canvas Dimensions 195.2 x 133 cm (76.9 x 52.4 in) cyf
  Oil on canvas Dimensions 195.2 x 133 cm (76.9 x 52.4 in) cyf

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Peter Paul Rubens Landscape with Rainbow oil on canvas


Landscape with Rainbow
Landscape with Rainbow
Painting ID::  88781
  Oil on canvas, 86 x 129 cm Date 1632-1635 cyf
  Oil on canvas, 86 x 129 cm Date 1632-1635 cyf

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Peter Paul Rubens The Triumph of Victory oil on canvas


The Triumph of Victory
The Triumph of Victory
Painting ID::  88825
  1614(1614) Medium Oil on oak panel cyf
  1614(1614) Medium Oil on oak panel cyf

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Peter Paul Rubens The Adoration of the Shepherds oil on canvas


The Adoration of the Shepherds
The Adoration of the Shepherds
Painting ID::  88904
  1608(1608) Medium Oil on canvas transferred from panel cyf
  1608(1608) Medium Oil on canvas transferred from panel cyf

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Peter Paul Rubens Perseus and Andromeda oil on canvas


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  88905
  between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf
  between 1620(1620) and 1621(1621) Medium Oil on canvas transferred from panel cyf

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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