All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens The Triumph of the Church (mk05) oil on canvas


The Triumph of the Church (mk05)
The Triumph of the Church (mk05)
Painting ID::  20862
  Oil on panel 86x106cm
  Oil on panel 86x106cm

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Peter Paul Rubens Portrait of Susanne Fourment (mk08) oil on canvas


Portrait of Susanne Fourment (mk08)
Portrait of Susanne Fourment (mk08)
Painting ID::  21652
  c.1625 Oil on panel. 79x54.5cm London,National Gallery
  c.1625 Oil on panel. 79x54.5cm London,National Gallery

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Peter Paul Rubens Venus at a Mirror (mk08) oil on canvas


Venus at a Mirror (mk08)
Venus at a Mirror (mk08)
Painting ID::  21656
  c.1615 Oil on panel. 124x98cm Vaduz,Sammlung Furst von Liechtenstein
  c.1615 Oil on panel. 124x98cm Vaduz,Sammlung Furst von Liechtenstein

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Peter Paul Rubens The Four Philosophers (mk08) oil on canvas


The Four Philosophers (mk08)
The Four Philosophers (mk08)
Painting ID::  21697
  c.1611 Oil on panel 164x139cm Florence,Palazzo Pitti, Galleria Palatina
  c.1611 Oil on panel 164x139cm Florence,Palazzo Pitti, Galleria Palatina

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Peter Paul Rubens Stormy Landscape with Philemon und Baucis(mk08) oil on canvas


Stormy Landscape with Philemon und Baucis(mk08)
Stormy Landscape with Philemon und Baucis(mk08)
Painting ID::  21698
  c.1620 Oil on canvas 147x209cm Vienna,Kunsthistorisches Museum
  c.1620 Oil on canvas 147x209cm Vienna,Kunsthistorisches Museum

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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