All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens The Horrors of War (mk27) oil on canvas


The Horrors of War (mk27)
The Horrors of War (mk27)
Painting ID::  24381
  1637 Oil on canvas 6'9'' x 11'4''(206 x 345 cm) Palazzo Pitti,Florence
  1637 Oil on canvas 6'9'' x 11'4''(206 x 345 cm) Palazzo Pitti,Florence

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Peter Paul Rubens Landscape by Moonlight (mk43) oil on canvas


Landscape by Moonlight (mk43)
Landscape by Moonlight (mk43)
Painting ID::  25705
  1637-1640 The Courtauld Institute Gallery, Somerset House,London
  1637-1640 The Courtauld Institute Gallery, Somerset House,London

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Peter Paul Rubens Self-Portrait with his Wife,Isabella Brant oil on canvas


Self-Portrait with his Wife,Isabella Brant
Self-Portrait with his Wife,Isabella Brant
Painting ID::  26776
  mk52 c.1609 Oil on canvas 178x136.5cm Alte Pinakothek,Munich
  mk52 c.1609 Oil on canvas 178x136.5cm Alte Pinakothek,Munich

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Peter Paul Rubens Portrait of the Artist oil on canvas


Portrait of the Artist
Portrait of the Artist
Painting ID::  26777
  mk52 1623-4 Oil on wod 86x62.5cm
  mk52 1623-4 Oil on wod 86x62.5cm

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Peter Paul Rubens The Abduction fo Ganymede oil on canvas


The Abduction fo Ganymede
The Abduction fo Ganymede
Painting ID::  28081
  mk61 Oil on canvas 181x87cm
  mk61 Oil on canvas 181x87cm

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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