All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens The Adoration of the Magi 1608 and 1628-1629 oil on canvas


The Adoration of the Magi 1608 and 1628-1629
The Adoration of the Magi 1608 and 1628-1629
Painting ID::  28713
  mk61 Oil on canvas 346x438cm
  mk61 Oil on canvas 346x438cm

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Peter Paul Rubens A Peasant Dance oil on canvas


A Peasant Dance
A Peasant Dance
Painting ID::  28714
  mk61 Oil on panel 73x106cm
  mk61 Oil on panel 73x106cm

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Peter Paul Rubens The Three Graces oil on canvas


The Three Graces
The Three Graces
Painting ID::  28715
  mk61 c.1636-1638 Oil on canvas 221x181cm
  mk61 c.1636-1638 Oil on canvas 221x181cm

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Peter Paul Rubens Return of the Peasants from the Fields oil on canvas


Return of the Peasants from the Fields
Return of the Peasants from the Fields
Painting ID::  28841
  mk65 Oil on panel 47 5/8x76 3/8in
  mk65 Oil on panel 47 5/8x76 3/8in

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Peter Paul Rubens Ulysses on the Island of the Phaeacians oil on canvas


Ulysses on the Island of the Phaeacians
Ulysses on the Island of the Phaeacians
Painting ID::  28877
  mk65 Oil on panel 50 3/8x81 1/2in Pitti,Palatine Gallery
  mk65 Oil on panel 50 3/8x81 1/2in Pitti,Palatine Gallery

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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