All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Forest landscape oil on canvas


Forest landscape
Forest landscape
Painting ID::  53053
  mk225 1635-1638 38.3x49.9cm
  mk225 1635-1638 38.3x49.9cm

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  INS/CM       Quality

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Peter Paul Rubens Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  53054
  mk225 1635-1640 20x16cm
  mk225 1635-1640 20x16cm

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Peter Paul Rubens Korsnedtagningen oil on canvas


Korsnedtagningen
Korsnedtagningen
Painting ID::  53793
  mk234 1612-14 420x310cm
  mk234 1612-14 420x310cm

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Peter Paul Rubens Deborah Kip Sir Balthasar Gerbiers wife, and her children oil on canvas


Deborah Kip Sir Balthasar Gerbiers wife, and her children
Deborah Kip Sir Balthasar Gerbiers wife, and her children
Painting ID::  53794
  mk234 probably 1629/40 165x178cm
  mk234 probably 1629/40 165x178cm

Height    Width


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Peter Paul Rubens Henr IV himmelsfard and regeringsproklamationen oil on canvas


Henr IV himmelsfard and regeringsproklamationen
Henr IV himmelsfard and regeringsproklamationen
Painting ID::  53795
  mk234 approximately 162/25 391x727cm
  mk234 approximately 162/25 391x727cm

Height    Width


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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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