All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens oil on canvas


Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens
Christ in the House of Martha and Mary 1628 Jan Bruegel the Younger and Peter Paul Rubens
Painting ID::  86304
  oil on canvas, 1628 cjr
  oil on canvas, 1628 cjr

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Peter Paul Rubens Drunken Silenus oil on canvas


Drunken Silenus
Drunken Silenus
Painting ID::  86314
  Date 1618(1618) Medium Oil on canvas cjr
  Date 1618(1618) Medium Oil on canvas cjr

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Peter Paul Rubens Christ on the Cross oil on canvas


Christ on the Cross
Christ on the Cross
Painting ID::  86458
  17th century Medium Oil on canvas Dimensions 221 x 121 cm (87 x 47.6 in) cyf
  17th century Medium Oil on canvas Dimensions 221 x 121 cm (87 x 47.6 in) cyf

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Peter Paul Rubens Pegasus and Chimera oil on canvas


Pegasus and Chimera
Pegasus and Chimera
Painting ID::  86779
  1635(1635) Medium Oil on wood Dimensions 34 x 27.5 cm (13.4 x 10.8 in) cyf
  1635(1635) Medium Oil on wood Dimensions 34 x 27.5 cm (13.4 x 10.8 in) cyf

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Peter Paul Rubens Wild Boar Hunt oil on canvas


Wild Boar Hunt
Wild Boar Hunt
Painting ID::  86799
  1618-1620 Medium Oil on canvas Dimensions 137 x 168 cm (53.9 x 66.1 in) cyf
  1618-1620 Medium Oil on canvas Dimensions 137 x 168 cm (53.9 x 66.1 in) cyf

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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