All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens The Three Graces oil on canvas


The Three Graces
The Three Graces
Painting ID::  33670
  mk86 1639 Ol on canvas 221x181cm Madrid,Museo del Prado
  mk86 1639 Ol on canvas 221x181cm Madrid,Museo del Prado

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Peter Paul Rubens Odysseus and Nausicaa oil on canvas


Odysseus and Nausicaa
Odysseus and Nausicaa
Painting ID::  33671
  mk86 1619 Oil on panel 91.5x117.2cm
  mk86 1619 Oil on panel 91.5x117.2cm

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Peter Paul Rubens The Union of Earth and Water oil on canvas


The Union of Earth and Water
The Union of Earth and Water
Painting ID::  34284
  mk91 ca.1618 Oil on canvas 222.5x180.5
  mk91 ca.1618 Oil on canvas 222.5x180.5

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Peter Paul Rubens Landscape with a Rainbow oil on canvas


Landscape with a Rainbow
Landscape with a Rainbow
Painting ID::  34283
  mk91 Between 1632 and 1635 Oil on cnava transferred from a panel 86x130
  mk91 Between 1632 and 1635 Oil on cnava transferred from a panel 86x130

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Peter Paul Rubens Selbstbildnis mit Isabella Brant oil on canvas


Selbstbildnis mit Isabella Brant
Selbstbildnis mit Isabella Brant
Painting ID::  34351
  mk92
  mk92

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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