All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Aklixi standing between her daughters oil on canvas


Aklixi standing between her daughters
Aklixi standing between her daughters
Painting ID::  52992
  mk225 1617-1618 37.6x26.9cm
  mk225 1617-1618 37.6x26.9cm

Height    Width


  INS/CM       Quality

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Peter Paul Rubens The Wonder of Frances oil on canvas


The Wonder of Frances
The Wonder of Frances
Painting ID::  52993
  mk225 1617-1618 104.5x72.5cm
  mk225 1617-1618 104.5x72.5cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens Pilgrimage Jesus oil on canvas


Pilgrimage Jesus
Pilgrimage Jesus
Painting ID::  52994
  mk225 1617 68x100cm
  mk225 1617 68x100cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens Pilgrimage Jesus oil on canvas


Pilgrimage Jesus
Pilgrimage Jesus
Painting ID::  52995
  mk225 1617 42.1x29.5cm
  mk225 1617 42.1x29.5cm

Height    Width


  INS/CM       Quality

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Peter Paul Rubens Portrait of Geao oil on canvas


Portrait of Geao
Portrait of Geao
Painting ID::  52996
  mk225 1625 38.5x26.7cm
  mk225 1625 38.5x26.7cm

Height    Width


  INS/CM       Quality

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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