All Peter Paul Rubens Oil Paintings

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
 

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Peter Paul Rubens Forest landscape oil on canvas


Forest landscape
Forest landscape
Painting ID::  53032
  mk225 1618 58.2x48.9cm
  mk225 1618 58.2x48.9cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens Sitting  old man oil on canvas


Sitting old man
Sitting old man
Painting ID::  53033
  1618-1620 41.9x27.1cm
  1618-1620 41.9x27.1cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens The chap life with hands the ladder oil on canvas


The chap life with hands the ladder
The chap life with hands the ladder
Painting ID::  53034
  mk225 1619-1620 34.3x27.2cm
  mk225 1619-1620 34.3x27.2cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens Rubens-s son oil on canvas


Rubens-s son
Rubens-s son
Painting ID::  53035
  mk225 1619 25.2x20.2cm
  mk225 1619 25.2x20.2cm

Height    Width


  INS/CM       Quality

X

  

Peter Paul Rubens Portrait of Younger Rubens oil on canvas


Portrait of Younger Rubens
Portrait of Younger Rubens
Painting ID::  53036
  mk225 1619 22.8x20cm
  mk225 1619 22.8x20cm

Height    Width


  INS/CM       Quality

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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