Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Date Deutsch: um 1535
English: c. 1535
Medium Oil on canvas
Dimensions 200 X 215 cm (78.74 X 84.65 in)
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Date Deutsch: um 1535
English: c. 1535
Medium Oil on canvas
Dimensions 200 X 215 cm (78.74 X 84.65 in)
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Height Width
INS/CM Quality
X
Verkundigung Mariae
Verkundigung Mariae
Painting ID:: 73365
Date Deutsch: um 1609
Medium Oil on canvas
Dimensions Deutsch: 224 x 200 cm, 68 kg Rahmenmaße: 254 x 230 x 11,5 cm
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Date Deutsch: um 1609
Medium Oil on canvas
Dimensions Deutsch: 224 x 200 cm, 68 kg Rahmenmaße: 254 x 230 x 11,5 cm
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Height Width
INS/CM Quality
X
Haupt der Medusa
Haupt der Medusa
Painting ID:: 73378
Date Deutsch: um 1617/1618
Medium Deutsch: Leinwand
Dimensions Deutsch: 68,5 x 118 cm Rahmenmaße: 85,5 x 134,5 x 5,6 cm
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Date Deutsch: um 1617/1618
Medium Deutsch: Leinwand
Dimensions Deutsch: 68,5 x 118 cm Rahmenmaße: 85,5 x 134,5 x 5,6 cm
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Height Width
INS/CM Quality
X
Great Last Judgement by
Great Last Judgement by
Painting ID:: 73379
(1577 - 1640), canvas, 608.5 cm x 463.5 cm
Date 1617
Current location
Munich
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(1577 - 1640), canvas, 608.5 cm x 463.5 cm
Date 1617
Current location
Munich
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.