All Philipp Otto Runge Oil Paintings

German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
 

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Philipp Otto Runge The Artist-s Wife and their Young Son oil on canvas


The Artist-s Wife and their Young Son
The Artist-s Wife and their Young Son
Painting ID::  38573
  mk138 1807 Oil on canvas 97x73cm
  mk138 1807 Oil on canvas 97x73cm

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Philipp Otto Runge Nosturtium Leaves and Blossoms oil on canvas


Nosturtium Leaves and Blossoms
Nosturtium Leaves and Blossoms
Painting ID::  38917
  mk141 1808/09 Gray ink over pencil 22.5x32cm
  mk141 1808/09 Gray ink over pencil 22.5x32cm

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Philipp Otto Runge Tulip Blossom oil on canvas


Tulip Blossom
Tulip Blossom
Painting ID::  38918
  mk141 Pencil black ink 29.4x23.5cm
  mk141 Pencil black ink 29.4x23.5cm

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Philipp Otto Runge Medlar Sprig oil on canvas


Medlar Sprig
Medlar Sprig
Painting ID::  38919
  mk1141 ca.1805 Cut-out,white paper on a blue background 32.2x39.5cm
  mk1141 ca.1805 Cut-out,white paper on a blue background 32.2x39.5cm

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Philipp Otto Runge Narcissus oil on canvas


Narcissus
Narcissus
Painting ID::  38920
  mk141 ca.1805 Cut-out,white paper on a blue background 39.4x32cm
  mk141 ca.1805 Cut-out,white paper on a blue background 39.4x32cm

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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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