All Philipp Otto Runge Oil Paintings

German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
 

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Philipp Otto Runge Hyacinth,Cornflower,Tulip oil on canvas


Hyacinth,Cornflower,Tulip
Hyacinth,Cornflower,Tulip
Painting ID::  38921
  mk141 undated cut-outs,white paper on a blue background
  mk141 undated cut-outs,white paper on a blue background

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Philipp Otto Runge Morning oil on canvas


Morning
Morning
Painting ID::  40650
  mk156 1808-09 Oil on canvas 109x85.5cm
  mk156 1808-09 Oil on canvas 109x85.5cm

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Philipp Otto Runge The Small Morning oil on canvas


The Small Morning
The Small Morning
Painting ID::  43984
  1809-10 Oil on canvas, 109 x 86 cm
  1809-10 Oil on canvas, 109 x 86 cm

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Philipp Otto Runge The Lesson of the Nightingale oil on canvas


The Lesson of the Nightingale
The Lesson of the Nightingale
Painting ID::  44000
  1804-05 Oil on canvas, 105 x 86 cm
  1804-05 Oil on canvas, 105 x 86 cm

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Philipp Otto Runge The Great Morning oil on canvas


The Great Morning
The Great Morning
Painting ID::  52520
  1809-10 Oil on canvas, 152 x 113 cm
  1809-10 Oil on canvas, 152 x 113 cm

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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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