All Philippe de Champaigne Oil Paintings

1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
 
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Philippe de Champaigne The Ex-Voto of 1662 oil on canvas


The Ex-Voto of 1662
The Ex-Voto of 1662
Painting ID::  374 		  1662 Musee du Louvre, Paris
  1662 Musee du Louvre, Paris

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Philippe de Champaigne The Miracles of the Penitant St.Mary oil on canvas


The Miracles of the Penitant St.Mary
The Miracles of the Penitant St.Mary
Painting ID::  375 		  1656 Musee du Louvre, Paris
  1656 Musee du Louvre, Paris

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Philippe de Champaigne The Aldermen of the City of Paris oil on canvas


The Aldermen of the City of Paris
The Aldermen of the City of Paris
Painting ID::  376 		  1648 Musee du Louvre, Paris
  1648 Musee du Louvre, Paris

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Philippe de Champaigne Portrait of a Man _5 oil on canvas


Portrait of a Man _5
Portrait of a Man _5
Painting ID::  377 		  1650 Musee du Louvre, Paris
  1650 Musee du Louvre, Paris

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Philippe de Champaigne Portrait of Robert Arnauld d'Andilly oil on canvas


Portrait of Robert Arnauld d'Andilly
Portrait of Robert Arnauld d'Andilly
Painting ID::  378 		  Musee du Louvre, Paris
  Musee du Louvre, Paris

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     Philippe de Champaigne
     1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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