All Philippe de Champaigne Oil Paintings

1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
 
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Philippe de Champaigne The Dead Christ oil on canvas


The Dead Christ
The Dead Christ
Painting ID::  379 		  Musee du Louvre, Paris
  Musee du Louvre, Paris

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Philippe de Champaigne Cardinal Richelieu oil on canvas


Cardinal Richelieu
Cardinal Richelieu
Painting ID::  380 		  Musee du Louvre, Paris
  Musee du Louvre, Paris

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Philippe de Champaigne The Last Supper 2 oil on canvas


The Last Supper 2
The Last Supper 2
Painting ID::  381 		  Musee du Louvre, Paris
  Musee du Louvre, Paris

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Philippe de Champaigne Triple Portrait of Richelieu oil on canvas


Triple Portrait of Richelieu
Triple Portrait of Richelieu
Painting ID::  382 		  The National Gallery, London
  The National Gallery, London

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Philippe de Champaigne Moses with the Ten Commandments oil on canvas


Moses with the Ten Commandments
Moses with the Ten Commandments
Painting ID::  383 		  The Hermitage, St.Petersburg
  The Hermitage, St.Petersburg

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     Philippe de Champaigne
     1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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