All Pierre de Valenciennes Oil Paintings

Toulouse 1750-Paris 1819 .French painter. He trained at the academy in Toulouse under the history painter Jean-Baptiste Despax (1709-73). In 1769 he went to Italy for the first time, with Mathias Du Bourg, a councillor at the Toulouse parliament. Du Bourg introduced him to Etienne-Fran?ois, Duc de Choiseul, a keen patron of the arts, who in turn recommended him to Gabriel-Fran?ois Doyen, one of the leading history painters in Paris, whose studio he entered in 1773. Doyen gave his pupil a sense of the elevated ideals of history painting but was also sympathetic to the lesser genre of landscape. Valenciennes presumably frequented Choiseul's country seat at Chanteloup, near Amboise, meeting there the landscape painters Hubert Robert and Jean Hoeel, both proteg's of Choiseul. His early interest in the native landscape can be seen in his sketchbooks (Paris, Louvre), especially one dated 1775 that contains drawings made at Amboise, Compiegne and Fontainebleau
 

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Pierre de Valenciennes View of the Convent of the Ara Coeli The Umbrella Pine (mk05) oil on canvas


View of the Convent of the Ara Coeli The Umbrella Pine (mk05)
View of the Convent of the Ara Coeli The Umbrella Pine (mk05)
Painting ID::  20723
  Paper on cardboard,8 x 21 1/2''(20 x 55 cm)From a large collection of oil studies by the artist formed by the Comte de L'Espine Given by his daughter,the Princess Louis de Croy,in 1930 R.F
  Paper on cardboard,8 x 21 1/2''(20 x 55 cm)From a large collection of oil studies by the artist formed by the Comte de L'Espine Given by his daughter,the Princess Louis de Croy,in 1930 R.F

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Pierre de Valenciennes At the Villa Farnese (mk05) oil on canvas


At the Villa Farnese (mk05)
At the Villa Farnese (mk05)
Painting ID::  20726
  Paper on cardboard 10 1/4 x 15 1/4''(26 x 39 cm)From a large collection of oil studies by the artist formed by the Comte de L'Espine Given by his daughter,the Princess Louis de Croy in 1930
  Paper on cardboard 10 1/4 x 15 1/4''(26 x 39 cm)From a large collection of oil studies by the artist formed by the Comte de L'Espine Given by his daughter,the Princess Louis de Croy in 1930

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Pierre de Valenciennes The Ancient Town of Agrigentum A Composite Landscape (mk05) oil on canvas


The Ancient Town of Agrigentum A Composite Landscape (mk05)
The Ancient Town of Agrigentum A Composite Landscape (mk05)
Painting ID::  20727
  Canvas 43 1/4 x 64 1/2''(110 x 164 cm)Salon of 1787 assigned to the Louvre in 1950 M N R
  Canvas 43 1/4 x 64 1/2''(110 x 164 cm)Salon of 1787 assigned to the Louvre in 1950 M N R

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Pierre de Valenciennes Storm by the Banks of a Lake oil on canvas


Storm by the Banks of a Lake
Storm by the Banks of a Lake
Painting ID::  40629
  mk156 oil on canvas 39.8x52cm
  mk156 oil on canvas 39.8x52cm

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Pierre de Valenciennes View of Rome in the Morning oil on canvas


View of Rome in the Morning
View of Rome in the Morning
Painting ID::  44021
  1782-84 Oil on paper laid on board, 18 x 25 cm
  1782-84 Oil on paper laid on board, 18 x 25 cm

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     Pierre de Valenciennes
     Toulouse 1750-Paris 1819 .French painter. He trained at the academy in Toulouse under the history painter Jean-Baptiste Despax (1709-73). In 1769 he went to Italy for the first time, with Mathias Du Bourg, a councillor at the Toulouse parliament. Du Bourg introduced him to Etienne-Fran?ois, Duc de Choiseul, a keen patron of the arts, who in turn recommended him to Gabriel-Fran?ois Doyen, one of the leading history painters in Paris, whose studio he entered in 1773. Doyen gave his pupil a sense of the elevated ideals of history painting but was also sympathetic to the lesser genre of landscape. Valenciennes presumably frequented Choiseul's country seat at Chanteloup, near Amboise, meeting there the landscape painters Hubert Robert and Jean Hoeel, both proteg's of Choiseul. His early interest in the native landscape can be seen in his sketchbooks (Paris, Louvre), especially one dated 1775 that contains drawings made at Amboise, Compiegne and Fontainebleau

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