All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir The Pont des Arts oil on canvas


The Pont des Arts
The Pont des Arts
Painting ID::  83170 		  Date 1867(1867) Medium Oil on canvas Dimensions 102.9 x 62.2 cm (40.5 x 24.5 in) cjr
  Date 1867(1867) Medium Oil on canvas Dimensions 102.9 x 62.2 cm (40.5 x 24.5 in) cjr

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Pierre-Auguste Renoir Bouquet of Chrysanthemums oil on canvas


Bouquet of Chrysanthemums
Bouquet of Chrysanthemums
Painting ID::  83705 		  Date between 1883(1883) and 1885(1885) Medium Oil on canvas cjr
  Date between 1883(1883) and 1885(1885) Medium Oil on canvas cjr

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Pierre-Auguste Renoir Camille Monet reading oil on canvas


Camille Monet reading
Camille Monet reading
Painting ID::  83758 		  Date 1873(1873) Medium Oil on canvas cjr
  Date 1873(1873) Medium Oil on canvas cjr

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Pierre-Auguste Renoir At the Concert a Box at the Opera oil on canvas


At the Concert a Box at the Opera
At the Concert a Box at the Opera
Painting ID::  83759 		  Date 1880(1880) Medium Oil on canvas cjr
  Date 1880(1880) Medium Oil on canvas cjr

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Pierre-Auguste Renoir Mademoiselle Romaine Lancaux oil on canvas


Mademoiselle Romaine Lancaux
Mademoiselle Romaine Lancaux
Painting ID::  84010 		  Date 1864(1864) Medium Oil on canvas Dimensions 81 x 65 cm cjr
  Date 1864(1864) Medium Oil on canvas Dimensions 81 x 65 cm cjr

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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