All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 

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Pierre-Auguste Renoir Stilleben mit Anemonen oil on canvas


Stilleben mit Anemonen
Stilleben mit Anemonen
Painting ID::  88644
  1898(1898) Medium Oil on canvas Dimensions Deutsch: 58 x 50 cm cjr
  1898(1898) Medium Oil on canvas Dimensions Deutsch: 58 x 50 cm cjr

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Pierre-Auguste Renoir Tanzerin mit Tamburin oil on canvas


Tanzerin mit Tamburin
Tanzerin mit Tamburin
Painting ID::  88647
  1909(1909) Medium Oil on canvas Dimensions Deutsch: 155 x 64,8 cm cjr
  1909(1909) Medium Oil on canvas Dimensions Deutsch: 155 x 64,8 cm cjr

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Pierre-Auguste Renoir Nymphe an der Quelle oil on canvas


Nymphe an der Quelle
Nymphe an der Quelle
Painting ID::  88648
  c. 1882 Medium Oil on canvas Dimensions Deutsch: 66,5 x 124 cm cjr
  c. 1882 Medium Oil on canvas Dimensions Deutsch: 66,5 x 124 cm cjr

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Pierre-Auguste Renoir Dame mit Schleier oil on canvas


Dame mit Schleier
Dame mit Schleier
Painting ID::  88671
  1880(1880) Medium Oil on canvas Dimensions Deutsch: 61 x 51 cm cjr
  1880(1880) Medium Oil on canvas Dimensions Deutsch: 61 x 51 cm cjr

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Pierre-Auguste Renoir Markusplatz in Venedig oil on canvas


Markusplatz in Venedig
Markusplatz in Venedig
Painting ID::  88685
  1881(1881) Medium Oil on canvas Dimensions 65,4 x 81,3 cm cjr
  1881(1881) Medium Oil on canvas Dimensions 65,4 x 81,3 cm cjr

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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