All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Young people in the street oil on canvas


Young people in the street
Young people in the street
Painting ID::  88746 		  Oil on canvas Dimensions 63,5 x 49 cm cyf
  Oil on canvas Dimensions 63,5 x 49 cm cyf

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Pierre-Auguste Renoir Weiblicher oil on canvas


Weiblicher
Weiblicher
Painting ID::  88829 		  1876(1876) Medium Oil on canvas Dimensions 92 x 73 cm cyf
  1876(1876) Medium Oil on canvas Dimensions 92 x 73 cm cyf

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Pierre-Auguste Renoir Neaulieu oil on canvas


Neaulieu
Neaulieu
Painting ID::  88839 		  oil on canvas, 65 x 82 cm cyf
  oil on canvas, 65 x 82 cm cyf

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Pierre-Auguste Renoir Sleeping Girl with a Cat oil on canvas


Sleeping Girl with a Cat
Sleeping Girl with a Cat
Painting ID::  88863 		  1880(1880) Medium Oil on canvas Dimensions 120 x 94 cm cyf
  1880(1880) Medium Oil on canvas Dimensions 120 x 94 cm cyf

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Pierre-Auguste Renoir Jeune garcon sur la plage d`Yport oil on canvas


Jeune garcon sur la plage d`Yport
Jeune garcon sur la plage d`Yport
Painting ID::  88943 		  1883(1883) Medium Oil on canvas Dimensions 130.2 x 80 cm (51.3 x 31.5 in) cyf
  1883(1883) Medium Oil on canvas Dimensions 130.2 x 80 cm (51.3 x 31.5 in) cyf

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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