All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Jules le Coeur et ses chiens dans la foret de Fontainebleau oil on canvas


Jules le Coeur et ses chiens dans la foret de Fontainebleau
Jules le Coeur et ses chiens dans la foret de Fontainebleau
Painting ID::  97094 		  1886(1886) Medium oil on canvas cyf
  1886(1886) Medium oil on canvas cyf

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Pierre-Auguste Renoir Coco Eating His Soup oil on canvas


Coco Eating His Soup
Coco Eating His Soup
Painting ID::  97216 		  1905(1905) Medium oil on canvas cyf
  1905(1905) Medium oil on canvas cyf

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Pierre-Auguste Renoir Hester Booth oil on canvas


Hester Booth
Hester Booth
Painting ID::  97232 		  oil on canvas 122 x 77 cm cyf
  oil on canvas 122 x 77 cm cyf

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Pierre-Auguste Renoir Cauliflower and pomegranates oil on canvas


Cauliflower and pomegranates
Cauliflower and pomegranates
Painting ID::  97448 		  circa 1890(1890) Medium oil on canvas Dimensions 35 X 46.5 cm cyf
  circa 1890(1890) Medium oil on canvas Dimensions 35 X 46.5 cm cyf

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Pierre-Auguste Renoir Gabrielle in Oriental Costume oil on canvas


Gabrielle in Oriental Costume
Gabrielle in Oriental Costume
Painting ID::  97518 		  Oil on Canvas. 1913 cyf
  Oil on Canvas. 1913 cyf

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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