All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir On the Terrace, oil on canvas


On the Terrace,
On the Terrace,
Painting ID::  60468 		  On the Terrace, oil on canvas, 1881, Art Institute of Chicago
  On the Terrace, oil on canvas, 1881, Art Institute of Chicago

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Pierre-Auguste Renoir La Grenouillere, oil on canvas


La Grenouillere,
La Grenouillere,
Painting ID::  60469 		  La Grenouillere, 1868, National Museum, Stockholm, Sweden
  La Grenouillere, 1868, National Museum, Stockholm, Sweden

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Pierre-Auguste Renoir Portrait of Alfred Sisley, oil on canvas


Portrait of Alfred Sisley,
Portrait of Alfred Sisley,
Painting ID::  60470 		  Portrait of Alfred Sisley, 1868
  Portrait of Alfred Sisley, 1868

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Pierre-Auguste Renoir Claude Monet Painting in His Garden at Argenteuil, oil on canvas


Claude Monet Painting in His Garden at Argenteuil,
Claude Monet Painting in His Garden at Argenteuil,
Painting ID::  60471 		  Claude Monet Painting in His Garden at Argenteuil, 1873, Wadsworth Athenaeum, Hartford, Connecticut
  Claude Monet Painting in His Garden at Argenteuil, 1873, Wadsworth Athenaeum, Hartford, Connecticut

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Pierre-Auguste Renoir Portrait of Claude Monet, oil on canvas


Portrait of Claude Monet,
Portrait of Claude Monet,
Painting ID::  60472 		  Portrait of Claude Monet, 1875, Mus??e d'Orsay, Paris, France
  Portrait of Claude Monet, 1875, Mus??e d'Orsay, Paris, France

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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