All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Portrait of Berthe Morisot and daughter Julie Manet, oil on canvas


Portrait of Berthe Morisot and daughter Julie Manet,
Portrait of Berthe Morisot and daughter Julie Manet,
Painting ID::  60483 		  Portrait of Berthe Morisot and daughter Julie Manet, 1894
  Portrait of Berthe Morisot and daughter Julie Manet, 1894

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Pierre-Auguste Renoir The Artist Family, oil on canvas


The Artist Family,
The Artist Family,
Painting ID::  60484 		  The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania
  The Artist's Family, 1896, The Barnes Foundation, Merion, Pennsylvania

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Pierre-Auguste Renoir Portrait of Ambroise Vollard, oil on canvas


Portrait of Ambroise Vollard,
Portrait of Ambroise Vollard,
Painting ID::  60485 		  Portrait of Ambroise Vollard, 1908
  Portrait of Ambroise Vollard, 1908

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X

  
Pierre-Auguste Renoir Portrait of Paul Durand Ruel, oil on canvas


Portrait of Paul Durand Ruel,
Portrait of Paul Durand Ruel,
Painting ID::  60486 		  Portrait of Paul Durand-Ruel, 1910
  Portrait of Paul Durand-Ruel, 1910

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Pierre-Auguste Renoir Self portrait, 1910 oil on canvas


Self portrait, 1910
Self portrait, 1910
Painting ID::  60487 		  Self portrait, 1910
  Self portrait, 1910

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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