All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Three Bathers, oil on canvas


Three Bathers,
Three Bathers,
Painting ID::  60493 		  Three Bathers, 1895, Cleveland Museum of Art Cleveland, Ohio
  Three Bathers, 1895, Cleveland Museum of Art Cleveland, Ohio

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Pierre-Auguste Renoir Woman on a Couch oil on canvas


Woman on a Couch
Woman on a Couch
Painting ID::  60494 		  Woman on a Couch (Gabrielle), 1906-1907
  Woman on a Couch (Gabrielle), 1906-1907

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Pierre-Auguste Renoir After The Bath oil on canvas


After The Bath
After The Bath
Painting ID::  60495 		  After The Bath, 1910, Barnes Foundation, Merion Pennsylvania
  After The Bath, 1910, Barnes Foundation, Merion Pennsylvania

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Pierre-Auguste Renoir Woman At The Well, oil on canvas


Woman At The Well,
Woman At The Well,
Painting ID::  60496 		  Woman At The Well, 1910
  Woman At The Well, 1910

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Pierre-Auguste Renoir Seated Bather Drying Her Leg, oil on canvas


Seated Bather Drying Her Leg,
Seated Bather Drying Her Leg,
Painting ID::  60497 		  Seated Bather Drying Her Leg, 1914, Musee de l'Orangerie, Paris, France
  Seated Bather Drying Her Leg, 1914, Musee de l'Orangerie, Paris, France

Height    Width


  INS/CM       Quality

X

  
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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