All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Portrat Claude Monet oil on canvas


Portrat Claude Monet
Portrat Claude Monet
Painting ID::  82173 		  Medium Oil on canvas 1872 cjr
  Medium Oil on canvas 1872 cjr

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Pierre-Auguste Renoir La Lecture oil on canvas


La Lecture
La Lecture
Painting ID::  82438 		  Date 1892(1892) Medium English: Oil on canvas Dimensions English: 55 x 65,5 cm cjr
  Date 1892(1892) Medium English: Oil on canvas Dimensions English: 55 x 65,5 cm cjr

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Pierre-Auguste Renoir The Clown oil on canvas


The Clown
The Clown
Painting ID::  82478 		  Date 1868(1868) Medium Oil on canvas Dimensions 193,5 x 130 cm cjr
  Date 1868(1868) Medium Oil on canvas Dimensions 193,5 x 130 cm cjr

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Pierre-Auguste Renoir In the Woods oil on canvas


In the Woods
In the Woods
Painting ID::  82480 		  Date ca. 1880(1880) Medium Oil on canvas Dimensions 55.8 x 46.3 cm (22 x 18.2 in) cjr
  Date ca. 1880(1880) Medium Oil on canvas Dimensions 55.8 x 46.3 cm (22 x 18.2 in) cjr

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Pierre-Auguste Renoir Doge's Palace, Venice oil on canvas


Doge's Palace, Venice
Doge's Palace, Venice
Painting ID::  82528 		  Date 1881(1881) Medium Oil on canvas Dimensions 54.5 x 65 cm cjr
  Date 1881(1881) Medium Oil on canvas Dimensions 54.5 x 65 cm cjr

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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