All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir La sortie de Conservatorie oil on canvas


La sortie de Conservatorie
La sortie de Conservatorie
Painting ID::  85682 		  1877(1877) Medium Oil on canvas Dimensions 187.3 x 117.5 cm (73.7 x 46.3 in) cyf
  1877(1877) Medium Oil on canvas Dimensions 187.3 x 117.5 cm (73.7 x 46.3 in) cyf

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Pierre-Auguste Renoir Le Pont du chemin de fer a Chatou oil on canvas


Le Pont du chemin de fer a Chatou
Le Pont du chemin de fer a Chatou
Painting ID::  85687 		  Date 1881(1881) Medium Oil on canvas Dimensions 54 x 65,7 cm cjr
  Date 1881(1881) Medium Oil on canvas Dimensions 54 x 65,7 cm cjr

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Pierre-Auguste Renoir La baigneuse blonde oil on canvas


La baigneuse blonde
La baigneuse blonde
Painting ID::  85711 		  1882(1882) Medium Oil on canvas Dimensions 90 x 63 cm cyf
  1882(1882) Medium Oil on canvas Dimensions 90 x 63 cm cyf

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Pierre-Auguste Renoir Stilleben mit Fruchten oil on canvas


Stilleben mit Fruchten
Stilleben mit Fruchten
Painting ID::  85824 		  Date 1899(1899) Medium Oil on canvas cjr
  Date 1899(1899) Medium Oil on canvas cjr

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Pierre-Auguste Renoir Rowers at Chatou oil on canvas


Rowers at Chatou
Rowers at Chatou
Painting ID::  85978 		  1880-81 Oil on canvas cjr
  1880-81 Oil on canvas cjr

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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