All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Portrat der Alphonsine Fournaise oil on canvas


Portrat der Alphonsine Fournaise
Portrat der Alphonsine Fournaise
Painting ID::  88102 		  1879(1879) Medium Oil on canvas Dimensions Deutsch: 73 x 93 cm cjr
  1879(1879) Medium Oil on canvas Dimensions Deutsch: 73 x 93 cm cjr

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Pierre-Auguste Renoir Portrait de Rapha Maitre II oil on canvas


Portrait de Rapha Maitre II
Portrait de Rapha Maitre II
Painting ID::  88140 		  1871(1871) Medium Oil on canvas Dimensions 130 x 83 cm (51.2 x 32.7 in) cyf
  1871(1871) Medium Oil on canvas Dimensions 130 x 83 cm (51.2 x 32.7 in) cyf

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Pierre-Auguste Renoir Portrat des Ehepaares Sisley oil on canvas


Portrat des Ehepaares Sisley
Portrat des Ehepaares Sisley
Painting ID::  88145 		  1868(1868) Medium Oil on canvas Dimensions 105 x 75 cm (41.3 x 29.5 in) cjr
  1868(1868) Medium Oil on canvas Dimensions 105 x 75 cm (41.3 x 29.5 in) cjr

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Pierre-Auguste Renoir Felsenklippen bei Guernsey oil on canvas


Felsenklippen bei Guernsey
Felsenklippen bei Guernsey
Painting ID::  88169 		  1883(1883) Medium Oil on canvas Dimensions 29 x 54,5 cm cjr
  1883(1883) Medium Oil on canvas Dimensions 29 x 54,5 cm cjr

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Pierre-Auguste Renoir Fontainebleau oil on canvas


Fontainebleau
Fontainebleau
Painting ID::  88184 		  1886(1886) Medium Oil on canvas cyf
  1886(1886) Medium Oil on canvas cyf

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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