All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Portrat des Georges Riviere oil on canvas


Portrat des Georges Riviere
Portrat des Georges Riviere
Painting ID::  90234 		  1877(1877) Medium oil on canvas Dimensions Deutsch: 36 x 29 cm cjr
  1877(1877) Medium oil on canvas Dimensions Deutsch: 36 x 29 cm cjr

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Pierre-Auguste Renoir Rosenhain oil on canvas


Rosenhain
Rosenhain
Painting ID::  90250 		  1870-1873 Medium oil on canvas Dimensions 38,5 x 46,5 cm cjr
  1870-1873 Medium oil on canvas Dimensions 38,5 x 46,5 cm cjr

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Pierre-Auguste Renoir Landschaft bei Cagnes oil on canvas


Landschaft bei Cagnes
Landschaft bei Cagnes
Painting ID::  90253 		  c. 1902(1902) Medium oil on canvas Dimensions 50 x 65 cm cjr
  c. 1902(1902) Medium oil on canvas Dimensions 50 x 65 cm cjr

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Pierre-Auguste Renoir Portrat der Tochter von Catulle-Mendes am Klavier oil on canvas


Portrat der Tochter von Catulle-Mendes am Klavier
Portrat der Tochter von Catulle-Mendes am Klavier
Painting ID::  90280 		  1888(1888) Medium oil on canvas Dimensions Deutsch: 163 x 130 cm cjr
  1888(1888) Medium oil on canvas Dimensions Deutsch: 163 x 130 cm cjr

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Pierre-Auguste Renoir Frau im Armsessel oil on canvas


Frau im Armsessel
Frau im Armsessel
Painting ID::  90389 		  c. 1915 Medium oil on canvas cjr
  c. 1915 Medium oil on canvas cjr

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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