All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Bal au Moulin de la Galette oil on canvas


Bal au Moulin de la Galette
Bal au Moulin de la Galette
Painting ID::  33968 		  mk87 1876 Oil on canvas 131x175cm Paris,Musee d'orsay
  mk87 1876 Oil on canvas 131x175cm Paris,Musee d'orsay

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Pierre-Auguste Renoir La Premiere Sortie oil on canvas


La Premiere Sortie
La Premiere Sortie
Painting ID::  33969 		  mk87 c.1876/77 Oil on canvas 65x49.5cm London,Tate Gallery
  mk87 c.1876/77 Oil on canvas 65x49.5cm London,Tate Gallery

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Pierre-Auguste Renoir On the Terrace oil on canvas


On the Terrace
On the Terrace
Painting ID::  33970 		  mk87 1881 Oil on canvas 100x80cm Chicago,The Art Institute of Chicago
  mk87 1881 Oil on canvas 100x80cm Chicago,The Art Institute of Chicago

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Pierre-Auguste Renoir Bather with Long Blonde oil on canvas


Bather with Long Blonde
Bather with Long Blonde
Painting ID::  33971 		  mk87 Hair 1895 Oil on canvas 92.7x74.3cm Vienna,Kunsthistori-sches Museum
  mk87 Hair 1895 Oil on canvas 92.7x74.3cm Vienna,Kunsthistori-sches Museum

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Pierre-Auguste Renoir Regates a Argenteuil oil on canvas


Regates a Argenteuil
Regates a Argenteuil
Painting ID::  34614 		  mk94 vers 1874
  mk94 vers 1874

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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