All Pierre-Auguste Renoir Oil Paintings

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
 
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Pierre-Auguste Renoir Weiblicher Akt oil on canvas


Weiblicher Akt
Weiblicher Akt
Painting ID::  97538 		  1876(1876) Medium oil on canvas Dimensions 92 x 73 cm cyf
  1876(1876) Medium oil on canvas Dimensions 92 x 73 cm cyf

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Pierre-Auguste Renoir Rapha Maitre 2 oil on canvas


Rapha Maitre 2
Rapha Maitre 2
Painting ID::  97568 		  1871(1871) Medium oil on canvas Dimensions 130 x 83 cm cyf
  1871(1871) Medium oil on canvas Dimensions 130 x 83 cm cyf

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Pierre-Auguste Renoir Renoir Reclining Woman Bather oil on canvas


Renoir Reclining Woman Bather
Renoir Reclining Woman Bather
Painting ID::  97569 		  1906(1906) Medium oil on canvas Dimensions 54.8 x 65 cm cyf
  1906(1906) Medium oil on canvas Dimensions 54.8 x 65 cm cyf

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Pierre-Auguste Renoir Renoir beaulieu oil on canvas


Renoir beaulieu
Renoir beaulieu
Painting ID::  97571 		  oil on canvas, 65 x 82 cm cyf
  oil on canvas, 65 x 82 cm cyf

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Pierre-Auguste Renoir Jeune garcon sur la plage dYport oil on canvas


Jeune garcon sur la plage dYport
Jeune garcon sur la plage dYport
Painting ID::  97599 		  1883(1883) Medium oil on canvas Dimensions 130.2 x 80 cm cyf
  1883(1883) Medium oil on canvas Dimensions 130.2 x 80 cm cyf

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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