All RAFFAELLO Sanzio Oil Paintings

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
 

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RAFFAELLO Sanzio Portrait of Pietro Bembo oil on canvas


Portrait of Pietro Bembo
Portrait of Pietro Bembo
Painting ID::  88218
  1504(1504) Medium Oil on wood cyf
  1504(1504) Medium Oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio Visitation oil on canvas


Visitation
Visitation
Painting ID::  88268
  1517(1517) Medium Oil on canvas Dimensions 200 x 145 cm (78.7 x 57.1 in) cjr
  1517(1517) Medium Oil on canvas Dimensions 200 x 145 cm (78.7 x 57.1 in) cjr

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio Angel oil on canvas


Angel
Angel
Painting ID::  88319
  1500-1501 Medium Oil on wood Dimensions 57 x 36 cm (22.4 x 14.2 in) cyf
  1500-1501 Medium Oil on wood Dimensions 57 x 36 cm (22.4 x 14.2 in) cyf

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio St George Fighting the Dragon oil on canvas


St George Fighting the Dragon
St George Fighting the Dragon
Painting ID::  88329
  between 1503(1503) and 1505(1505) Medium Oil on wood cyf
  between 1503(1503) and 1505(1505) Medium Oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

RAFFAELLO Sanzio St Michael and the Dragon oil on canvas


St Michael and the Dragon
St Michael and the Dragon
Painting ID::  88330
  between 1503(1503) and 1505(1505) Medium Oil on wood cyf
  between 1503(1503) and 1505(1505) Medium Oil on wood cyf

Height    Width


  INS/CM       Quality

X

  

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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