All RAFFAELLO Sanzio Oil Paintings

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
 

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RAFFAELLO Sanzio Madonna and Child with the Infant St John oil on canvas


Madonna and Child with the Infant St John
Madonna and Child with the Infant St John
Painting ID::  89281
  1508(1508) Medium tempera and oil on wood cyf
  1508(1508) Medium tempera and oil on wood cyf

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RAFFAELLO Sanzio The Tempi Madonna oil on canvas


The Tempi Madonna
The Tempi Madonna
Painting ID::  89282
  1508(1508) Medium oil on wood cyf
  1508(1508) Medium oil on wood cyf

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RAFFAELLO Sanzio Madonna Solly oil on canvas


Madonna Solly
Madonna Solly
Painting ID::  89446
  1502/1503 Medium oil on panel Dimensions 52 x 38 cm (20.5 x 15 in) cyf
  1502/1503 Medium oil on panel Dimensions 52 x 38 cm (20.5 x 15 in) cyf

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RAFFAELLO Sanzio Holy Family below the Oak oil on canvas


Holy Family below the Oak
Holy Family below the Oak
Painting ID::  89751
  1518(1518) Medium oil on panel cyf
  1518(1518) Medium oil on panel cyf

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RAFFAELLO Sanzio Portrait of Agnolo Doni oil on canvas


Portrait of Agnolo Doni
Portrait of Agnolo Doni
Painting ID::  89851
  c. 1506(1506) Medium oil on panel Dimensions 63 x 45 cm (24.8 x 17.7 in) cyf
  c. 1506(1506) Medium oil on panel Dimensions 63 x 45 cm (24.8 x 17.7 in) cyf

Height    Width


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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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