All RENI, Guido Oil Paintings

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
 
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RENI, Guido The Penitent Magdalene dj oil on canvas


The Penitent Magdalene dj
The Penitent Magdalene dj
Painting ID::  8884 		  1635 Oil on canvas Walters Art Gallery, Baltimore
  1635 Oil on canvas Walters Art Gallery, Baltimore

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RENI, Guido St Mary Magdalene oil on canvas


St Mary Magdalene
St Mary Magdalene
Painting ID::  8885 		  1633 Oil on canvas, 234 x 151 cm Galleria Nazionale d'Arte Antica, Rome
  1633 Oil on canvas, 234 x 151 cm Galleria Nazionale d'Arte Antica, Rome

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RENI, Guido Joseph and Potiphar's Wife oil on canvas


Joseph and Potiphar's Wife
Joseph and Potiphar's Wife
Painting ID::  8886 		  c. 1631 Oil on canvas, 227 x 195 cm Pushkin Museum, Moscow
  c. 1631 Oil on canvas, 227 x 195 cm Pushkin Museum, Moscow

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RENI, Guido The Death of Cleopatra oil on canvas


The Death of Cleopatra
The Death of Cleopatra
Painting ID::  28119 		  mk61 c.1635 Oil on canvas 110x94cm
  mk61 c.1635 Oil on canvas 110x94cm

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RENI, Guido Atalanta and Hippomenes oil on canvas


Atalanta and Hippomenes
Atalanta and Hippomenes
Painting ID::  31374 		  nn07 c. 1612 Oil on canvas, 206 x 297 cm Museo del Prado, Madrid
  nn07 c. 1612 Oil on canvas, 206 x 297 cm Museo del Prado, Madrid

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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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