All RENI, Guido Oil Paintings

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
 
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RENI, Guido The Massacre of the Innocents oil on canvas


The Massacre of the Innocents
The Massacre of the Innocents
Painting ID::  33575 		  mk86 1611 Oil on canvas 268x170cm Bologna,Pinacoteca Nazionale
  mk86 1611 Oil on canvas 268x170cm Bologna,Pinacoteca Nazionale

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RENI, Guido The Baptism of Christ oil on canvas


The Baptism of Christ
The Baptism of Christ
Painting ID::  33576 		  mk86 c.1623 Oil on canvas 263.5x186.5cm Vienna,Kunsthistorisches Museum
  mk86 c.1623 Oil on canvas 263.5x186.5cm Vienna,Kunsthistorisches Museum

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RENI, Guido The Massacre of the Innocents oil on canvas


The Massacre of the Innocents
The Massacre of the Innocents
Painting ID::  40415 		  mk156 c.1611 Oil on canvas 268x170cm
  mk156 c.1611 Oil on canvas 268x170cm

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RENI, Guido The Rape of Helena oil on canvas


The Rape of Helena
The Rape of Helena
Painting ID::  51061 		  1631 Oil on canvas
  1631 Oil on canvas

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RENI, Guido The Gathering of the Manna oil on canvas


The Gathering of the Manna
The Gathering of the Manna
Painting ID::  51279 		  1614-15 Oil on canvas, 280 x 170 cm
  1614-15 Oil on canvas, 280 x 170 cm

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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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