All Raphael Oil Paintings

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
 

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Raphael Count Baldassare Castiglione oil on canvas


Count Baldassare Castiglione
Count Baldassare Castiglione
Painting ID::  53410
  mk231 1514 Oil on canvas 82x67cm
  mk231 1514 Oil on canvas 82x67cm

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Raphael The Miraculous Draught of Fishes oil on canvas


The Miraculous Draught of Fishes
The Miraculous Draught of Fishes
Painting ID::  53415
  mk231 1515 Oil on paper
  mk231 1515 Oil on paper

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Raphael Virgin and Child with SS.John the Baptist and Nicholas oil on canvas


Virgin and Child with SS.John the Baptist and Nicholas
Virgin and Child with SS.John the Baptist and Nicholas
Painting ID::  53445
  mk231 c.1506 Oil on canvas 81.7x58in
  mk231 c.1506 Oil on canvas 81.7x58in

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Raphael marriage of the virgin oil on canvas


marriage of the virgin
marriage of the virgin
Painting ID::  55990
  mk247 1504,oil on panel,66.875x46.5 in,170x118 cm,pinacoteca di brera,milan,ltaly
  mk247 1504,oil on panel,66.875x46.5 in,170x118 cm,pinacoteca di brera,milan,ltaly

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Raphael school of athens oil on canvas


school of athens
school of athens
Painting ID::  56000
  1510 to11 ,fresco,303.125 in,770 cm(width at base),vatican museums and galleries,vatican city,ltaly
  1510 to11 ,fresco,303.125 in,770 cm(width at base),vatican museums and galleries,vatican city,ltaly

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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