All Rosa Bonheur Oil Paintings

1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
 
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Rosa Bonheur plojning i nivernais oil on canvas


plojning i nivernais
plojning i nivernais
Painting ID::  56477 		  mk248 en av bonbeurs mest byllande malningar. den ar baserad pa bennes egna studier ocb ar ocksa insp inspiread av potter, en nederlandsk djurmalare fran 1600 talet. uppbojdbeten bos ualdidiga, arbetande djuren verkar overtraffa effektiviteten bos de man som driver pa dem.
  mk248 en av bonbeurs mest byllande malningar. den ar baserad pa bennes egna studier ocb ar ocksa insp inspiread av potter, en nederlandsk djurmalare fran 1600 talet. uppbojdbeten bos ualdidiga, arbetande djuren verkar overtraffa effektiviteten bos de man som driver pa dem.

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Rosa Bonheur buffa;o bill oil on canvas


buffa;o bill
buffa;o bill
Painting ID::  56478 		  mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905.
  mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905.

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Rosa Bonheur Ma City oil on canvas


Ma City
Ma City
Painting ID::  56951 		  mk250 In the year 1853-1855. Oil on canvas, about 244.5 x 506.7 cm. New York Metropolitan Museum of Art.
  mk250 In the year 1853-1855. Oil on canvas, about 244.5 x 506.7 cm. New York Metropolitan Museum of Art.

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Rosa Bonheur View of a Field oil on canvas


View of a Field
View of a Field
Painting ID::  73784 		  Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf
  Date between 1850(1850) and 1855(1855) Medium Oil on paper Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in) cyf

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Rosa Bonheur Wild Boars in the Snow oil on canvas


Wild Boars in the Snow
Wild Boars in the Snow
Painting ID::  92707 		  Date c. 1870(1870) Medium oil on panel Dimensions 21 X 30.5 cm (8.3 X 12 in) TTD
  Date c. 1870(1870) Medium oil on panel Dimensions 21 X 30.5 cm (8.3 X 12 in) TTD

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     Rosa Bonheur
     1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .

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