Australian Painter, 1864-1947
Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.
A Cup of Chocolate (also known as At the Table), painting, oil on canvas, 81.5, 65.0, by Rupert Bunny
Date 1911(1911)
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A Cup of Chocolate (also known as At the Table), painting, oil on canvas, 81.5, 65.0, by Rupert Bunny
Date 1911(1911)
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Jeanne Morel, painting, oil on canvas, 180 x 89 cm, by Rupert Bunny
Date 1895(1895)
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Jeanne Morel, painting, oil on canvas, 180 x 89 cm, by Rupert Bunny
Date 1895(1895)
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Moonlight Sonata, painting, oil on canvas, 80.5, 64.0, by Rupert Bunny
Date 1907(1907)
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Moonlight Sonata, painting, oil on canvas, 80.5, 64.0, by Rupert Bunny
Date 1907(1907)
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Summer time, painting, oil on canvas, 250.0 x 300.5 cm, by Rupert Bunny
Date 1907(1907)
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Summer time, painting, oil on canvas, 250.0 x 300.5 cm, by Rupert Bunny
Date 1907(1907)
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Australian Painter, 1864-1947
Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.