All Samuel Palmer Oil Paintings

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
 

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Samuel Palmer Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  26994
  mk52 c.1826 Black chalk heightened with white on buff paper 29.2x22.8cm Ashmolean Museum,Oxford
  mk52 c.1826 Black chalk heightened with white on buff paper 29.2x22.8cm Ashmolean Museum,Oxford

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Samuel Palmer A dream in the Apennine oil on canvas


A dream in the Apennine
A dream in the Apennine
Painting ID::  32780
  mk47 Watercolour and bodycolour 660x1016mm
  mk47 Watercolour and bodycolour 660x1016mm

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Samuel Palmer Coming frome Evening oil on canvas


Coming frome Evening
Coming frome Evening
Painting ID::  32805
  mk81 Church 1830
  mk81 Church 1830

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Samuel Palmer The Waterfalls,Pistil Mawddach oil on canvas


The Waterfalls,Pistil Mawddach
The Waterfalls,Pistil Mawddach
Painting ID::  32855
  mk81 North Wales 1835-5
  mk81 North Wales 1835-5

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Samuel Palmer Home from aftonsangen oil on canvas


Home from aftonsangen
Home from aftonsangen
Painting ID::  53884
  mk234 1830 30x20cm
  mk234 1830 30x20cm

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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