All Samuel Palmer Oil Paintings

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
 

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Samuel Palmer A Cascade in Shadow oil on canvas


A Cascade in Shadow
A Cascade in Shadow
Painting ID::  26359
  mk49 1836
  mk49 1836

Height    Width


  INS/CM       Quality

X

  

Samuel Palmer The Prospect oil on canvas


The Prospect
The Prospect
Painting ID::  26360
  mk49 1881
  mk49 1881

Height    Width


  INS/CM       Quality

X

  

Samuel Palmer Harvesting oil on canvas


Harvesting
Harvesting
Painting ID::  26362
  mk49 1863 Watercolour
  mk49 1863 Watercolour

Height    Width


  INS/CM       Quality

X

  

Samuel Palmer The Eastern Gate oil on canvas


The Eastern Gate
The Eastern Gate
Painting ID::  26363
  mk49 1881 Watercolour
  mk49 1881 Watercolour

Height    Width


  INS/CM       Quality

X

  

Samuel Palmer Cornfield by Moonlight oil on canvas


Cornfield by Moonlight
Cornfield by Moonlight
Painting ID::  26364
  mk49 c.1830
  mk49 c.1830

Height    Width


  INS/CM       Quality

X

  

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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