All Sebastiano del Piombo Oil Paintings

1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
 
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Sebastiano del Piombo La Visitation oil on canvas


La Visitation
La Visitation
Painting ID::  30978 		  mk70 Bois transpose sur toile H.1.68 L.1.32 Paris,Musee du Louvre
  mk70 Bois transpose sur toile H.1.68 L.1.32 Paris,Musee du Louvre

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Sebastiano del Piombo Recreation by our Gallery oil on canvas


Recreation by our Gallery
Recreation by our Gallery
Painting ID::  32548 		  mk79
  mk79

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Sebastiano del Piombo Christ Carrying the Cross oil on canvas


Christ Carrying the Cross
Christ Carrying the Cross
Painting ID::  32618 		  1535-40 Oil on slate, 157 x 118 cm
  1535-40 Oil on slate, 157 x 118 cm

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Sebastiano del Piombo San Giovanni Crisostomo and Saints oil on canvas


San Giovanni Crisostomo and Saints
San Giovanni Crisostomo and Saints
Painting ID::  32620 		  c. 1509 Oil on canvas, 200 x 156 cm
  c. 1509 Oil on canvas, 200 x 156 cm

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Sebastiano del Piombo Portrait of Antonio Cardinal Pallavicini oil on canvas


Portrait of Antonio Cardinal Pallavicini
Portrait of Antonio Cardinal Pallavicini
Painting ID::  32624 		  Oil on canvas
  Oil on canvas

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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

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