1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
mk247
1511 to 12 ,oil on canvas,74.375x112.25 in,189x285 cm,uffizi,florence,ltaly
mk247
1511 to 12 ,oil on canvas,74.375x112.25 in,189x285 cm,uffizi,florence,ltaly
Date 1518-1519
Medium Oil on canvas
Dimensions 168 x 132 cm
Date 1518-1519
Medium Oil on canvas
Dimensions 168 x 132 cm
Height Width
INS/CM Quality
X
La Sainte Famille avec sainte Catherine, saint Sebastien et un donateur
La Sainte Famille avec sainte Catherine, saint Sebastien et un donateur
Painting ID:: 82518
Date ca. 1507(1507)
Medium Oil on wood
Dimensions Height: 95 cm (37.4 in). Width: 136 cm (53.5 in).
cjr
Date ca. 1507(1507)
Medium Oil on wood
Dimensions Height: 95 cm (37.4 in). Width: 136 cm (53.5 in).
cjr
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.