1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
1517-19 National Gallery, London
1517-19 National Gallery, London
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The Holy Family with st Catherine st Sebastian and a Donor sacra Conversazione (mk05)
The Holy Family with st Catherine st Sebastian and a Donor sacra Conversazione (mk05)
Painting ID:: 20223
Wood 37 1/2 x 53 1/2''(95 x 136 cm).Collections of Duke of Mantua and Charles I;acquired from Eberhard Jabach by Louis XIV in 1662
Wood 37 1/2 x 53 1/2''(95 x 136 cm).Collections of Duke of Mantua and Charles I;acquired from Eberhard Jabach by Louis XIV in 1662
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The Visitation (mk05)
The Visitation (mk05)
Painting ID:: 20227
Painted in 1519 but dated in 1521
Canvas,66 1/4 x 52\'\'(168 x 132 cm).Collection of Francois I,no doubt in 1521;collection of Louis XIV
Painted in 1519 but dated in 1521
Canvas,66 1/4 x 52\'\'(168 x 132 cm).Collection of Francois I,no doubt in 1521;collection of Louis XIV
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Cardinal Carondelet and his Secretary (mk08)
Cardinal Carondelet and his Secretary (mk08)
Painting ID:: 21322
1485-1547 Italian Sebastiano del Piombo Galleries
Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.