All Theodore Gericault Oil Paintings

French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
 

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Theodore   Gericault louise bro oil on canvas


louise bro
louise bro
Painting ID::  69548
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Theodore   Gericault portrait d' homme dit le vendeeen oil on canvas


portrait d' homme dit le vendeeen
portrait d' homme dit le vendeeen
Painting ID::  69549
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Theodore   Gericault jeune garcon oil on canvas


jeune garcon
jeune garcon
Painting ID::  69550
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Theodore   Gericault Wounded Cuirassier oil on canvas


Wounded Cuirassier
Wounded Cuirassier
Painting ID::  72980
  Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf
  Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf

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Theodore   Gericault Chargingchasseur oil on canvas


Chargingchasseur
Chargingchasseur
Painting ID::  75194
  Charging Chasseur by Theodore Gericault Date 1812 cyf
  Charging Chasseur by Theodore Gericault Date 1812 cyf

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     Theodore Gericault
     French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.

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