All Theodore Robinson Oil Paintings

1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
 

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Theodore Robinson Willows oil on canvas


Willows
Willows
Painting ID::  72306
  Date ca. 1892(1892) Medium Oil on canvas Dimensions 45.6 X 55.1 cm (17.95 X 21.69 in) cyf
  Date ca. 1892(1892) Medium Oil on canvas Dimensions 45.6 X 55.1 cm (17.95 X 21.69 in) cyf

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Theodore Robinson The Red House oil on canvas


The Red House
The Red House
Painting ID::  73006
  "The Red House," oil on canvas, by the American painter Theodore Robinson. 18 5/16 in. x 22 3/16 in. Yale University Art Gallery, gift of Arthur G. Altschul, B.A. 1943. Courtesy of Yale University, New Haven, Conn. cjr
  "The Red House," oil on canvas, by the American painter Theodore Robinson. 18 5/16 in. x 22 3/16 in. Yale University Art Gallery, gift of Arthur G. Altschul, B.A. 1943. Courtesy of Yale University, New Haven, Conn. cjr

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Theodore Robinson Watering Pots oil on canvas


Watering Pots
Watering Pots
Painting ID::  73133
  Date ca. 1890(1890) Medium Oil on canvas Dimensions 55.9 X 45.8 cm (22.01 X 18.03 in) cyf
  Date ca. 1890(1890) Medium Oil on canvas Dimensions 55.9 X 45.8 cm (22.01 X 18.03 in) cyf

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Theodore Robinson The Layette oil on canvas


The Layette
The Layette
Painting ID::  73453
  1882(1882) Oil on canvas 147.64 x 92.08 cm cjr
  1882(1882) Oil on canvas 147.64 x 92.08 cm cjr

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Theodore Robinson Angelus oil on canvas


Angelus
Angelus
Painting ID::  73455
  1889(1889) Oil on canvas 77.47 X 74.61 cm (30.5 X 29.37 in) cjr
  1889(1889) Oil on canvas 77.47 X 74.61 cm (30.5 X 29.37 in) cjr

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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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