All Thomas Girtin Oil Paintings

English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
 
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Thomas Girtin Guisborough Priory, Yorkshire oil on canvas


Guisborough Priory, Yorkshire
Guisborough Priory, Yorkshire
Painting ID::  94493 		  1801(1801) cjr
  1801(1801) cjr

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Thomas Girtin Kirkstall Abbey, Yorkshire oil on canvas


Kirkstall Abbey, Yorkshire
Kirkstall Abbey, Yorkshire
Painting ID::  94494 		  1801(1801) Dimensions 30,5 x 52 cm cjr
  1801(1801) Dimensions 30,5 x 52 cm cjr

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Thomas Girtin In the Scotch Borders oil on canvas


In the Scotch Borders
In the Scotch Borders
Painting ID::  94495 		  cjr
  cjr

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Thomas Girtin Near Bolton Abbey oil on canvas


Near Bolton Abbey
Near Bolton Abbey
Painting ID::  94496 		  33 x 52 cm cjr
  33 x 52 cm cjr

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Thomas Girtin Rue Saint-Denis in Paris oil on canvas


Rue Saint-Denis in Paris
Rue Saint-Denis in Paris
Painting ID::  94497 		  1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
  1802(1802) Dimensions Deutsch: 39 x 49 cm cjr

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     Thomas Girtin
     English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms

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