Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
mk247
1559 to 62,oil on canvas,72.875x112 in,185x285 cm,lsabella stewart gardner museum,boston,ma,usa
mk247
1559 to 62,oil on canvas,72.875x112 in,185x285 cm,lsabella stewart gardner museum,boston,ma,usa
Height Width
INS/CM Quality
X
assumption of the virgin
assumption of the virgin
Painting ID:: 56702
mk247
1516 to 18,oil on wood,272x142 in,santa maria gloriosa dei frari,venice,ltaly
mk247
1516 to 18,oil on wood,272x142 in,santa maria gloriosa dei frari,venice,ltaly
mk250 Venice, Italy, the glory of Free Church of Our Lady, about the year in 1516-1518. Canvas board, 685.8 x 360.7 cm.
mk250 Venice, Italy, the glory of Free Church of Our Lady, about the year in 1516-1518. Canvas board, 685.8 x 360.7 cm.
Height Width
INS/CM Quality
X
Our Lady of the Pesaro family
Our Lady of the Pesaro family
Painting ID:: 56831
mk250 Venice, Italy, Fu Lali Church of Our Lady, the year 1519 -1526, Oil on canvas, 488 x 275 cm around.
mk250 Venice, Italy, Fu Lali Church of Our Lady, the year 1519 -1526, Oil on canvas, 488 x 275 cm around.
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.