All UCCELLO, Paolo Oil Paintings

Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
 

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UCCELLO, Paolo Fortitude oil on canvas


Fortitude
Fortitude
Painting ID::  51006
  c. 1435 Fresco Duomo
  c. 1435 Fresco Duomo

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UCCELLO, Paolo Faith oil on canvas


Faith
Faith
Painting ID::  51007
  c. 1435 Fresco Duomo
  c. 1435 Fresco Duomo

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UCCELLO, Paolo Creation of Adam oil on canvas


Creation of Adam
Creation of Adam
Painting ID::  51008
  1445 Fresco Green Cloister, Santa Maria Novella
  1445 Fresco Green Cloister, Santa Maria Novella

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UCCELLO, Paolo Funerary Monument to Sir John Hawkwood oil on canvas


Funerary Monument to Sir John Hawkwood
Funerary Monument to Sir John Hawkwood
Painting ID::  51009
  1436 Fresco, 820 x 515 cm
  1436 Fresco, 820 x 515 cm

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UCCELLO, Paolo Creation of Eve and Original Sin oil on canvas


Creation of Eve and Original Sin
Creation of Eve and Original Sin
Painting ID::  51010
  1432-36 Fresco, 244 x 478 cm
  1432-36 Fresco, 244 x 478 cm

Height    Width


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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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