All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Filipu wearing the visor oil on canvas


Filipu wearing the visor
Filipu wearing the visor
Painting ID::  54693
  mk237 1628 Oil on canvas 57x44.5cm
  mk237 1628 Oil on canvas 57x44.5cm

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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of man oil on canvas


Portrait of man
Portrait of man
Painting ID::  54694
  mk237 1626-28 Oil on canvas 104x79cm
  mk237 1626-28 Oil on canvas 104x79cm

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VELAZQUEZ, Diego Rodriguez de Silva y Clown oil on canvas


Clown
Clown
Painting ID::  54695
  mk237 1628-1629 Oil on canvas 175.5x106.7cm
  mk237 1628-1629 Oil on canvas 175.5x106.7cm

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VELAZQUEZ, Diego Rodriguez de Silva y Philosopher oil on canvas


Philosopher
Philosopher
Painting ID::  54696
  mk237 1628-29 Oil on canvas 101x81cm
  mk237 1628-29 Oil on canvas 101x81cm

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VELAZQUEZ, Diego Rodriguez de Silva y Villa oil on canvas


Villa
Villa
Painting ID::  54697
  mk237 1630 Oil on canvas 44.5x38.5cm
  mk237 1630 Oil on canvas 44.5x38.5cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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