All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Oriental three doctor oil on canvas


Oriental three doctor
Oriental three doctor
Painting ID::  54728
  mk237 1619 Oil on canvas
  mk237 1619 Oil on canvas

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VELAZQUEZ, Diego Rodriguez de Silva y White horse oil on canvas


White horse
White horse
Painting ID::  54729
  mk237 1634-1635 Oil on canvas 310x245cm
  mk237 1634-1635 Oil on canvas 310x245cm

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VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil on canvas


Filipu
Filipu
Painting ID::  54730
  mk237 1634-1635 Oil on canvas 305x320cm
  mk237 1634-1635 Oil on canvas 305x320cm

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VELAZQUEZ, Diego Rodriguez de Silva y Young woman oil on canvas


Young woman
Young woman
Painting ID::  54731
  mk237 1635 Oil on canvas 98x49cm
  mk237 1635 Oil on canvas 98x49cm

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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of ride horse oil on canvas


Portrait of ride horse
Portrait of ride horse
Painting ID::  54732
  mk237 1634-1635 Oil on canvas 302x311.5cm
  mk237 1634-1635 Oil on canvas 302x311.5cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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