All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y John at the Piter oil on canvas


John at the Piter
John at the Piter
Painting ID::  54673
  mk237 1619 Oil on canvas 135.5x102.2cm
  mk237 1619 Oil on canvas 135.5x102.2cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Tomas oil on canvas


Tomas
Tomas
Painting ID::  54674
  mk237 1618-20 Oil on cavnas 95x73cm
  mk237 1618-20 Oil on cavnas 95x73cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Paul oil on canvas


Paul
Paul
Painting ID::  54675
  mk237 1619-1620 Oil on canvas
  mk237 1619-1620 Oil on canvas

Height    Width


  INS/CM       Quality

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VELAZQUEZ, Diego Rodriguez de Silva y Paul oil on canvas


Paul
Paul
Painting ID::  54676
  mk237 Oil on canvas 38x29cm
  mk237 Oil on canvas 38x29cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Paul oil on canvas


Paul
Paul
Painting ID::  54677
  mk236 123x132.5cm 1620
  mk236 123x132.5cm 1620

Height    Width


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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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