All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Ilisabai oil on canvas


Ilisabai
Ilisabai
Painting ID::  54703
  mk237 1631-1632 Oil on canvas 207x119cm
  mk237 1631-1632 Oil on canvas 207x119cm

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VELAZQUEZ, Diego Rodriguez de Silva y Detail of  Ilisabai oil on canvas


Detail of Ilisabai
Detail of Ilisabai
Painting ID::  54704
  mk237 Oil on canvas 1631-1632 207x119cm
  mk237 Oil on canvas 1631-1632 207x119cm

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VELAZQUEZ, Diego Rodriguez de Silva y A Young man oil on canvas


A Young man
A Young man
Painting ID::  54705
  mk237 1631-1632 Oil on canvas
  mk237 1631-1632 Oil on canvas

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VELAZQUEZ, Diego Rodriguez de Silva y A Young man oil on canvas


A Young man
A Young man
Painting ID::  54706
  mk237 1631-1632 Oil on canvas 205x116cm
  mk237 1631-1632 Oil on canvas 205x116cm

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VELAZQUEZ, Diego Rodriguez de Silva y Tang Huang oil on canvas


Tang Huang
Tang Huang
Painting ID::  54707
  mk237 1632 Oil on canvas 108.5x90cm
  mk237 1632 Oil on canvas 108.5x90cm

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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