All VELAZQUEZ, Diego Rodriguez de Silva y Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
 

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VELAZQUEZ, Diego Rodriguez de Silva y Predector oil on canvas


Predector
Predector
Painting ID::  54708
  mk237 1632 oil on canvas 62x50cm
  mk237 1632 oil on canvas 62x50cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil on canvas


Filipu
Filipu
Painting ID::  54709
  mk237 1632 Oil on canvas 127.5x86.5cm
  mk237 1632 Oil on canvas 127.5x86.5cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil on canvas


Prince
Prince
Painting ID::  54710
  mk237 1632 Oil on canvsa 117.8x95.9cm
  mk237 1632 Oil on canvsa 117.8x95.9cm

Height    Width


  INS/CM       Quality

X

  

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil on canvas


Filipu
Filipu
Painting ID::  54711
  mk237 1632-1633 Oil on canvasd 189x124.5cm
  mk237 1632-1633 Oil on canvasd 189x124.5cm

Height    Width


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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Filipu oil on canvas


Detail of Filipu
Detail of Filipu
Painting ID::  54712
  mk237
  mk237

Height    Width


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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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